Photoshop

Photography tool - image stitching.

11 SKN electrical office front Aberdeen oil and gas industry

Good morning, i hope that you are well. 

Today i'd like to share a quick thought on how you can use image stitching to over come problems.

I appreciate that this is nothing new, but with some fore-thought it can become a powerful tool in your arsenal. 

I was commissioned to shoot an office building. The front had no access due to very limited space and parked cars in my way. Even with the lens at 24mm it was simply impossible to fit the building into frame. So stitching is the only way forward. 

The above image was created with around 25 images. 

Here you can see the images used, 

the camera was mounted on a tripod and i systematically panned left to right making sure to over lap alot. The building took 3 passes.

Always best to have more frames than needed, than have pieces missing down the line. 

With each up date of Photoshop CC i have noticed that it is becoming much better at stitching. 

In the past it would have not been able to do this, and for these cases i use Autopano Giga 3.0 stitching software, but photoshop managed ok with this. 

Now by using a tilt shift lens, and/or a parallax tripod head, your job in post will be so much easier, but as i do not own either of these i had to make do. The majority of my time was spent straightening the stitched image. 

As with all panos, shoot in manual, turn white balance off auto so all the images remain consistent. 

I hope that this helps, and when you are trying to shoot a subject larger than your frame, that you remember this technique. 

 

Thanks

 

Lee

Scene lighting technique.

Nikon D800 f7.1 1/8th ISO100

Good morning, 

Id like to share with you a lighting technique that you can use to light a scene, even when working on your own. 

The above image consists of 21 images, all shot and lit by myself, and i am even in the image, to add some interest. 

I will show you, how i take multiple images, all lit with off camera flash, and then the process i take in photoshop.

 

02 Off camera flash wireless trigger pocket wizard boom illuminating the scene

Here you can see me using an off camera flash head on a pole, with the trigger in my right hand firing off the flash and camera shutter remotely. 

Click on image to enlarge.

The final image is composed of 21 frames. 

The camera was mounted on a tripod. White balance taken off auto, manual settings, and with me using back button focusing on the camera, i know when i press the remote, the camera will not try and focus, making all the images consistent. 

05 Start image quick tip on how to flash light

Quick tip, 

Like when making panos, my first image is a large image of me, so i can find the set easily in bridge. 

Also this is a great way to make sure that the flash and camera shutter both fire correctly. 

As when using pocket wizards as the remote, the flash PW has to be set to a channel higher and some times i forget this, and so it is always a good idea to test everything before getting started and walking far into the scene. 

04 adobe bridge using photoshop tools loading layers

Using bridge i select all the images that i want to use, and from here you can easily load them into photoshop as a single document with 21 layers. 

06 using lighten blend mode in photoshop CC

Now turn off all layers, and starting from the bottom layer i work my way up through the stack, turning on, one layer at a time, changing the blend mode to Lighten. 

07 using a mask in photoshop CC

With the blend mode on lighten, the flash light will show. 

Also you will see indicated in this image the hot spot of the flash is in the image. This is easy to mask out. Also i remain in the image by some strange artefacts, just simply mask these out. 

After some cleaning and tweaking here is the before and after image.

The before being unlit. 

It is a subtle difference, but one i find takes your images to that next level. 

If you have any questions, feel free to comment and i hope to help. 

 

 

Thanks

Lee

Photoshop short cuts - Free download.

London veiw from the Shard photoshop short cuts education help tutorial Lee Ramsden

Hi all,

I hope that you are well. 

As you know there are hundreds of photoshop short cuts, and when you know them how much easier life can be. 

Like most i downloaded a list, and it just sat in my downloads folder.

Here is an idea I've been trying out and it works a treat. 

I incorporated the list in to some images, i now use them as desk top images and screen savers. This way the information is easily accessible while i am working, and even when not editing by viewing this information it helps sink into the grey matter. 

London Battersea power station photoshop short cuts education help tutorial Lee Ramsden

If you would like to try this out, please click HERE 

and you can down load these images in Hi-rez and use them as your desk top image. 

London morelondon photoshop short cuts education help tutorial Lee Ramsden

 

If you like this, then please feel free to share on your social media, 

giving credit to Lee Ramsden @ www.leeramsden.com

 

Thanks

 

Lee

Behind the scenes, pregnancy lighting.

Morning,

I hope that you have enjoyed this week of pregnancy images that i have posted.

Today i thought id share some behind the scenes images and some thoughts with the lighting used.

Maternity Pregnancy pregnantlighting strobes off camera flash professional lancashire photographer venetian blinds behind the scenes BTS set up

Fuji XT1 f5.6 1/30 ISO 800

As you can see from the above image, these were taken in my cramped dinning room. Even without a large space, using a little imagination and being creative with your space, you can create some nice images.

Maternity Pregnancy pregnant strobes off camera flash grey seemless backdrop back light low key high contrast Lee Ramsden

Nikon D800 f5.6 1/200 ISO 100

The important part i find is to light your subject how your like. Once lit well, then you can play with the background and try different things.

The above images are straight out of the camera. RAW files converted to JPGS.

Image on the left - the background was lit with a strobe covered with a red gell. Personally i didn't like this too much and so didn't process this.

The middle image - is obvious. I turned off the background light and so it rendered to black.

Image on the right - i turned the background light around and it shone on to the subject, bouncing back to illuminate the background.

The black background and the grey one, were processed to make the image have a little more interest. If you would like me to show in a future post how i did that, then please let me know.

lighting lit with an over head projector blossom trees skin pregnancy no flash natural Lee Ramsden

Nikon D800 f1.6 1/80 ISO 100 

The above images were not shown in the week, but thought id share them for a little fun.

They were lit, with a simple over head projector. The sort that were used in schools.

I printed on clear plastic an image of blossom i found on a stock image site.

No fancy photoshop here, just an image using a projector.

Maternity Pregnancy pregnant lighting strobes off camera flash long hair professional lancashire photographer images elenchrom quadra ranger snoot softbox grey seemless paper Lee Ramsden

Here is the lighting set up used for the bellow image. The bellow image is unprocessed. A converted RAW file again to JPG.

To create the lines on the background i used a venetian blind that i purchased from B@Q a while ago.

(It was defective and on sale for a fiver, result!)

The lights.

A - Nikon sb900 flashed through the blind to create the background. It was flagged to prevent spill onto the subject.

B- Nikon sb900 through a honey comb grid. To illuminate the bump.

C - Elinchrom Quadra through a snoot to add a touch of light on the face.

D - Elinchrom Ranger through another grid, to add some light on to the hair.

lit through venetian blind nikon sb900 elenchrom flash quadra ranger softbox out of camera unretouched Lee Ramsden Uk professional photographer

Nikon D800 f5.6 1/200 ISO 100

This was a fairly extensive lighting set up. It took a bit of time to set up, one light at a time.

When setting up lights like this, the subject has very little room to move. And so the set up takes patients from both parties. If your subject moves it can throw everything out.

Once the lights are set, relax. Make your subject relax and enjoy what you create!

I hope that you have enjoyed this week, viewing some work quite different from my norm.

Many thanks.

Lee.

Helvellyn composite images.

Helvellyn lakes the lake district cumbria striding edge swiril pass photography photo image green traversing death climb advanced composite photoshop tutorial lancashire photographer retoucher tutor educator lessons

Hi, i thought id share the images that i used to create the image bellow.

The top left image was me putting my idea down as a drawing.

The Helvellyn page was created in photoshop with taking some information from Wiki.

Also i used a wood effect background which was warped and pulled about to make it fit into the scene.

Helvellyn lakes the lake district cumbria striding edge swiril pass photography photo image advanced composite photoshop tutorial

The "ryan brenizer" Method.

Pregnancy Pregnant Birth Sunset Balloons Woods Woodlands ryan brenizer technique stitched photoshop multi image Autopano Giga software

Thought id explain a little into a new technique that i have tried out.

This was my first attempt and so go easy on me.

For you out there that have not yet came across the "Ryan Brenizer method" here is a

link to his work

This image was made up of 50 images.

To create the DOF, you need to be to fairly close to your subject, using a focal length of around 85mm+ and with  the highest aperture you can go,

this was shot at f1.4.

Take the shot of your subject, keeping your feet still, pan around overlapping the shots by around 50%

Below you can see the images used. click on the image to see them larger. 

Kelly Moss Ramsden pregnancy ryan brenizer how to technique photo stiching

To create the f1.4 i used a neutral density filter and as you can see used an Elinchrom Quadra to light the subject.

I have found Autopano Giga much more accurate at stitching then photoshop.

Kelly moss ramsden pregnancy ryan brenizer technique how to

Here is the final stitched image in Photoshop. 

You can see the light stand and parts missing to the image, 

this was my mistake, i did not overlap the images enough when shooting them, and so the software struggled to identify the gaps. 

A little re-touching, deleted the light stand, added some warmth i arrived at the final image. 

*Few tips -

that i have learnt and will be putting in place next time. 

Ill be shooting in jpeg rather then RAW, 

using the D800 the raw file sizes are immense, and kept filling up the buffer, really slowing down the process. If i shoot correctly colour balanced jpegs the post processing will be much quick too. 

Overlap much more each image to give the software a fighting chance.

Oh and not use a moving subject like balloons, boy that didn't half make the Photoshop work a head ache... worth it in the end though. 

Well thats enough of my ramblings on, hope that you enjoy the rest of your weekend. 

As always any questions or comments feel free to contact, 

either on here or through the contact page on my

website

Thanks 

Lee

A subtle technique, but goes a long way..

Hello, here is a little tip which i have recently picked up and thought id share as it makes such a lovely difference.

When working on images of buildings here is how i now add contrast.

Rather then use contrast adjustment layer, i created two levels layers, one darker and one lighter - both with black layer masks.

Now take your time, and paint in, where the face of a building is lighter, make it lighter and the dark side darker. It takes a little time, but certainly gives your image much more depth and a 3D feel to them.

Tutorial Photoshop dodge burning layer

 This image has the effect turned off. 

The extra layer you can see is a contrast adjustment layer to the lighter layer.

Tutorial Photoshop how to make your image look more professional

Here is the final image with the contrast technique added. 

Subtle but certainly makes a lot of difference to the image.

canary wharf London Photography Train line Long Exposure light trails


The view from the Shard London HDR image break down.

Hi, hope your keeping well and have had a good weekend. 

Here are some images from the previous London landscape image that i have posted. 

I wanted to show the images used to create the final image. 

I clamped the camera down to the handrail using the Manfrotto Magic arm and using a cable release i rattled a few bracketed frames. 

I have included the metadata on each image, but other then converting to jpg, they are straight from the camera and in the order the camera took them and i added to Nik softwares HDR efex pro 2.

London Shard The View HDR image Photography tutorial Nikon D800 award winning

Here is the first base image. In face i quite like this exposure but i personally prefer having the extra range to play with. 

04+London+Shad%252C+The+Veiw+at+the+Shad%252C+London%252C+HDR%252C+image%252C+Photography%252C+Photography%252C+tutorial%252C+photographer%252C+Lee+Ramsden%252C+Nikon+D800%252C+award+winning%252C+Landscape%252C+nightscape%252C+Lancashire+photographer%252C+Lytham+St+Annes.jpg
06+London+Shad%252C+The+Veiw+at+the+Shad%252C+London%252C+HDR%252C+image%252C+Photography%252C+Photography%252C+tutorial%252C+photographer%252C+Lee+Ramsden%252C+Nikon+D800%252C+award+winning%252C+Landscape%252C+nightscape%252C+Lancashire+photographer%252C+Lytham+St+Annes.jpg
05+London+Shad%252C+The+Veiw+at+the+Shad%252C+London%252C+HDR%252C+image%252C+Photography%252C+Photography%252C+tutorial%252C+photographer%252C+Lee+Ramsden%252C+Nikon+D800%252C+award+winning%252C+Landscape%252C+nightscape%252C+Lancashire+photographer%252C+Lytham+St+Annes.jpg
02+London+Shad,+The+Veiw+at+the+Shad,+London,+HDR,+image,+Photography,+Photography,+tutorial,+photographer,+Lee+Ramsden,+Nikon+D800,+award+winning,+Landscape,+nightscape,+Lancashire+photographer,+Lytham+St+Annes.jpg
03+London+Shad,+The+Veiw+at+the+Shad,+London,+HDR,+image,+Photography,+Photography,+tutorial,+photographer,+Lee+Ramsden,+Nikon+D800,+award+winning,+Landscape,+nightscape,+Lancashire+photographer,+Lytham+St+Annes.jpg
01-hdr-out-put-image.jpg

And finally this is the out put from the software. As you can see it has little punch, no halos. or even much contrast going on. But the key is to get a nice base to start with, and then bring this into photoshop and make it your own.

I have tried many different HDR software on the market and not one will you be able to click process- done.

But i do think that this is a good thing, no 2 images will ever be processed the same and so this way it makes you take your time and make something unique and more realistic.

london View from the Shard HMS Belfast river Thames Tower Bridge

Here is the final image. 

Thanks.

Lee

Carcassonne Castle edit.

Carcassonne bridge to the caste at dawn

Happy Sunday... 

Here i wanted to show how i got to this final image of Carcassonne. 

This is made up of 3 different exposure images. 

It is technically a HDR image, but it has not been tone mapped, i used the exposures as different layers and masked them in. 

Carcassonne France, Photo Photograph photoshop layers how to edit

Here is the base image as it was out of the camera, 

Carcassonne,+France,+Photo,+Photograph+02.png

This image was taken for the exposure of the bridge and Castle.

Carcassonne,+France,+Photo,+Photograph+03.png

I used a layer mask to only reveal the parts of the image i wanted to be brighter.

Carcassonne,+France,+Photo,+Photograph+04.png

Here is the 3rd image taken, for a darker exposure.

Carcassonne,+France,+Photo,+Photograph+05.png

I used the 3rd darker exposure to paint into the sky to darken it and add some drama.

Carcassonne,+France,+Photo,+Photograph+07.png

Here the image was cleaned up, from the lights in the windows, and other highlights that i found distracting.

There was a blown out building, which is grey in this image,

I used a part from the darkest exposure and masked it in,

as you can see, it doesnt share the same colouring as its surroundings, and so i used various adjustment layers to make it fit in.

 Contrast and Photo filter were used to get the temperature right.

Carcassonne,+France,+Photo,+Photograph+11.png

Here i found the tree  - bush thing very distracting and so i clone stamped it out, on the bottom right of the screen.

Carcassonne,+France,+Photo,+Photograph+13.png

Now for some punch and texture,

I use Nik softwares colour effects pro. I apply this to all of the image but then mask back in the effect to where i want it.

Carcassonne,+France,+Photo,+Photograph+14.png

To give it a little more punchier contrast, i like to use Nik softwares Silver Efects pro,

by making a black and white punchy layer,

Carcassonne,+France,+Photo,+Photograph+15.png

This black and white layer now has a blend mode of Luminosity.

Carcassonne,+France,+Photo,+Photograph+16.png

 I found that the sky was to cool, for buildings. And so with adding an adjustment layer of Photo filter

I warmed up the scene.

Carcassonne,+France,+Photo,+Photograph+17.png

Finally, the more i looked at the image, i found the water to be extremely distracting and anoying,

and so i created a new layer and painted it with black. I lowered the Opacity to regain some of the texture.

Once again if you have any questions or comments id love to hear from you.

Thanks

Lee

Adding Leaves to an image...

Carcassonne France lover on romantic walk

Happy New Year!

I wanted to show a subtle part of the above image.

I felt when looking at this scene, the background just behind Myself and the Mrs, was to similar to our clothing and wanted to break it up abit.

With large piles of fallen leaves on the ground,  it would be good fun to add some of these.

Photoshop tutorial how to add leaves to your image and make them look more professional

Here is the in camera image,

Lots of distractions, sign posts and rubbish on the ground.

Where our dark tops are, they blend in with the background around us.

Carcassonne adding composite material to your images

With the camera set on a trip pod, i got the Mrs to throw some leaves in the air.

Carcassonne leaves throw adding texture to your photos

Another shot of some leaves.

As the camera is on a tripod, it makes editing much easier.

As im now using the Nikon D800 camera, the file sizes are crazy large, and so instead of importing every image as layers into the one file, I simply made selections of just the leaves that i wanted and moved them onto the final image.

As always, if you have any comments or questions, id love to hear from you.

Thanks

Lee

The Edit of the Tash image.

Bearded Lee Ramsden

Following this image, i thought i would post on how i got to this final image from the out of camera shot below. I have included many screen grabs to try and explain how i got to the finished image. 

Bearded Lee Ramsden photoshop tutorial layers

Here is the original image, taken in my front room. You can see the TV on the left, but knowing that i wanted to do a cut out, i placed a piece of white card behind me to make life easier later on in photoshop. 

To make the cut out, i make a rough selection with the quick selection tool.

Then click onto the refine edge button.

Here photoshop opens up new dialogue box, I use the brush tool to paint around the edge, and photoshop does an amazing job of making a tighter selection. It works on contrast, and hence why i added the white card at the start so my hair and skin would stand out better.

Once you are happy with your selection i output to a new layer with a layer mask.

I added a blank layer, using the gradation tool made a spot light effect background.

Here i did some dodge and burning to the clothing and skin.

If you compare this image to the one above, the lighting on the neck is harsh and unpleasing to the eye.

with all these little tweaks they are only very subtle but they add up and make the final image nicer to the eye.

Bearded+Lee+Ramsden+05.png

I wanted to add some texture so my hair and shirt. 

Looks good doesnt it..... Nope of course not, but when adding a filter to an image you need to be selective with it. 

Here i added a layer mask and painted back where i wanted the texture to be.

Now to work on the background, I thought the background is flat not working, and so i am adding a texture. I quite like this pattern.

By playing with the Opacity and Blend modes you can create very different looks.

This back ground is the same as the image about but by dropping the Opacity to 40% it is much more subtle.

The blend mode is now set to soft light. I checked them all out, but this one was the nicest.

The background i felt was too smooth and so needed to be roughed up a little.

I added this texture of a stone wall to the image.

Again play with the Opacity and blend modes, to make slight subtle changes.

The colour i felt needed to be spiced up a tad.

I added a saturation adjustment layer. But by clipping this layer to the one below it then only effects the background.

 Here is the finished image.

I appreciate that i move pretty fast from layer to layer.

If you are getting lost or confused by any stage please feel free to comment or contact me and i will explain a stage in greater detail.

Thanks. 

An Edit from Glyn Dewis course.

Glyn Dewis Steven Lewington Dave Clayton course Comic book images NAPP UK pro WWE wrestler

With having a couple of images, one of Dave above and Steve below taken in a studio, i wanted to play and create something a bit different. The lighting and images of the guys were taken on a Glyn Dewis course, but these edits are made up of my own ideas and my own stock images. 

Attending a photoshop based course, you learn techniques, and tips on how to improve.

I find that it also inspires me to push the creativity and want to make up my own images.

Thanks 

 

Lee

Blend Modes to add textures.

Police Composite photoshop tutorial

Hi,

In this post i will try and explain how i added the grassy texture that you see in the foreground of the above image.

Police Composite photoshop layers

Here is the image part finished. I liked the layout of the positioned pieces but i felt that the ground needed some more texture to it.  With there being some patches of grass to the left and right of the concrete ground. I thought that it would be fun to see if a grass texture would look cool, plus give it a distressed look.

02.jpg

I found this grass image on Deviant Art. Selecting the move tool, drag it onto your composite workspace.

03.jpg

There you go job done.....

Nahhhh, now we need to make it fit into our image. I firstly tried various blend modes to see which best made it fit.

04.jpg

The blend mode Overlay looks super cool for this texture. I liked the way sone of the underneath concrete layer was showing through. 

Adding a layer mask filled with black, with using a white brush you can now "paint" in your new texture. 

If you feel that it is a little strong you can also play with Opacity slider until you find it working for you. 

If you have any questions relating to this post or regarding some photoshop techniques, please feel free to message me and i will try and help. 

Thanks.

Blend modes to merge images.

Police Composite photoshop blend modes

Hi Guys in this post i will try and explain on how you can blend images together using blend modes.

I will use the flock of birds as the example from the image above and bellow images.

Police Composite photoshop layers
03.jpg

Firstly i need to find an image of a flock of birds. This one i think came from Deviant Art.

I am over time taking more and more of my own images that i will be able to use in future projects.

When sourcing images try and find ones where the background is uncluttered. It will make life so much easier in the long run.

I used the Lasso tool to make a rough selection of the birds that i want to use.

04.jpg

By pressing CMD/J (mac users) OPT/J (PC users) it will put your selection on to its own layer.

Select the move tool, and drag this new layer onto your composite work image.

05.jpg

With the birds now in your composite workspace its time to try and make them fit.

I noticed with the birds layer that they were shot of a nice flat grey background. And so i thought i would try and blend them in before making some crazy selections.

TIP

:-  A quick way to go through your blend modes is to make sure you are using the move tool. Then by holding down the shift key and pressing the + or - keys you can toggle through the blend modes quickly and easily viewing which one best suites your layer.

As you can see the current blend mode is set to normal and so nothing is happening.

06.jpg

Here we have changed the layer to SoftLight, its not right but we are getting there...

07.jpg

By using the Blend mode of Pinlight you can see how well the layer blends away the grey leaving just the birds showing. 

I was lucky and this one blended nearly flawlessly, but sometimes you will find a blend mode that is close but just doesn't quite work, in these circumstances i would clip a curves adjustment to the layer being blended, and by adjusting the highlights or blacks it will then fit into your scene more better. 

Thanks.

If you have any questions or would like more information on any of this please feel free to contact me. 

Police Composite image.

Police Composite final image

Recently I have had a play with a large composite.

I have for some time now wanted to have a play trying to blend multiple images into one image.

Now my attempt is not pixel perfect, by any stretch of the imagination,

but it was certainly a great learning curve. And something very enjoyable.

I have previously posted in my blog, it’s a great way to keep up to date with the tools of Photoshop

and to try and keep your work flow fast.

It is amazing how quickly you can get skill fade, and end up doing things the long way round.

Your selections, dodging, burning will come on leaps and bounds the more practice you do.

I have included some screen grabs to show where I started and what I have

added.

01.jpg

A starting place of a background from iStock photo.

02.jpg

Straightened the lines and cloned in more of a foreground.

03.jpg

Started adding some elements to the image, i didn't like some in the end and so didn't make it to the final image.

04.jpg

Happy with the placements of the elements. Added a texture over the ground. Just need to render the image with shadings, colouring and few little bits which certainly take the most amount of time in the whole process.

police+large+squares+(2)+resized.jpg

I have enlarged some of the small details so you can see.

I must of been in a real dark mood when i designed this image ;0)

Dungeness image edit. Adding colour to an image.

Dungeness train track colourised red landscape image

Dungeness train track colourised red landscape image

In this post I am going to try and explain how i edited the image above.

I will be using Photoshop CS5 and the plug-ins, Silver Efex pro and HDR efex pro by Nik Software. Plug ins are just a much quicker way to do something, every thing in a plug in does can be done just using the tools in Photoshop but I would like to show how I do things.

If you are totally stuck and would like to know how certain plug in effects are created in Photoshop please ask and ill try and answer.

Dungeness HDR 9 exposure image explained

To create this image I took 9 exposures 0.7 of a stop. 1 correct exposure and then 4 bellow and 4 over.

02.png

For HDR processing at the moment I am loving HDR efex pro by Nik software, I used to be a big fan of Photomatix but Nik are kicking ass at the mo.

03.png

Selecting the images to open in Photoshop through the HDR efex Pro plug in.

04.png

On the left you can see all the presets. My style with HDR tone mapping I prefer a natural look, but there are plenty to choose from, so I would recommend to be creative and experiment.

This time I have chosen realistic strong. Once clicking done the image opens into Photoshop.

06.png

As you can see the image is pretty flat and not a lot of contrast. But I personally like to start like this and then I can add depth and contrast in a way I like too.

I duplicated the background layer by clicking (cmd/control) and the “J” key.

As you can see there are some dust spots, probably from my lens or the cameras sensor, and so I used the healing brush tool. I prefer this then the spot healing tool, as I can pick different sample areas to maintain textures.

07.png

Now for a little contrast, I opened colour effex pro from the filters menu and chose pro contrast. I like the way it changes the colourings too. On the left of the red line is the before and to the right the after.

By clicking done it opens the image back to photoshop into a new layer.

08.png
09.png

Next for the Black and White conversion.

I again used colour effex pro.

10.png
11.png

Now to boost the textures, I used Silver effex pro this time. I upped the structure till I was happy with the effect.

13.png

I wanted to lighten some of this image. My fave way to dodge and burn is too create a new layer. Fill it with 50% grey and change the blend mode to soft light.

Using the Dodge tool I brightened up the image to where I was happy.

14.png

The dodge and burn layer on its own to show what was painted.

15.png

Ok now to add some colour. Clicking on the adjustments choose Hue/Saturation.

16.png

This dialogue box opens. Too add colour globally click into the colourize box.

Moving the Hue slider you can change the colour and playing with the saturation slider you can create any colour and brightness to your taste.

For a desaturated look which you see alot, if you play with the layers opacity, you can create some cool effects.

17.png

Clicking on the layer option at the top of the screen you can flatten the image and save it. 

Done..

How to add a Frame/ Boarder to an image.

How to add a sloppy boarder to your photos
How to add a boarder to your images to make them feel more professional

A few people have asked how do I add the frames that I use on some of my images.

Well its very quick and easy once you have created a frame.

In this demonstration im going to show you a grungy, sloppy boarder.

01.jpg

For this boarder I started a new image and painted around the edge with black.

I added a small amount of blur to smooth the edges a touch.

Once you are happy,  open an image that you would like to add the frame too.

Go back to the frame document, making sure that the frame layer is highlighted. Select the move tool. Click and hold onto the frame. Drag the frame up to the bar on the top.  Hover over the image bar which the frame is to be added to

.

03.jpg

In this example you can see the frame layer is called Sloppy Boarder and I am adding it to the image Kelly Steps. I dragged the frame up to the top, hovered over the Kelly Steps box and that image will open in front of you.

04.jpg

I moved the frame down, you are still holding down the mouse/pen, if you hold down the shift key aswell before you release the new frame layer will center its self onto the new image.

Ok so your frame is now onto the image you would like, next we need to move it and posisstion it nicely onto the image. You will need to work with the layers pallet.

If you do not see your layers on the image. Go upto the top bar and you can find the layers under the window drop down box.

05.jpg

Now with the layers visible, making sure the layer with the frame is highlighted, you need to transform the frame. You can do this by clicking on the drop down box edit then transform – free transform.

A short cut for this is to hold down the (on mac) CMD key and press “T” or windows CTL key and “T”

Now the frame has a line around it and little square handles in the corners. By clicking on the corners you can drag it around to fit your image. Press enter or the tick above, it will come out of the free transform and you now have a nice frame around you image.

06.jpg

You can be creative and play around with different coloured frames, even try different blend modes, here I painted around the edge of the previous black frame and changed the blend mode to screen. The black disappears leaving a cool looking white frame.

09.jpg

There are numerous website where you can download frames/boarders for free.

This one was a free frame to look like a large 5x4 film. See this image even has sctraches to add an old used film effect.  I added this above an image I like. By playing with different blend modes you will see the grey dissapear leaving a cool frame and some textures to your image.

10.jpg
11.jpg

You can create a frame to promote your website.

12.jpg

Or even a wooden effect frame.

If you have any questions feel free to leave me a comment.

Thanks

Before and After.

Before and after example of retouching on photoshop, Kelly moss ramsden jumping in the air retouched photo

Here is a quick post,

I thought id post a before and after.

The Image on the left is straight out of the camera, and the right image is the finished article.

I am posting this not to show any tricks but to explain as i am taking an image, the image on the right is what i saw in my mind and so i work towards creating that. I do not use any cheap presets or gimmicks. Take your time and create an image that you are proud of, not from just clicking a button.

Photoshop can do many things, but it can not make a bad image great, only a great image better!

 

If you have any questions please feel free to contact through the contacts page.

 

Many thanks

 

Lee

Multiple Image HDR's.

Hiya,

In this post i want to try and explain how i create some of the large HDR landscape images and to answer the question that i have recieved alot recently, on how you can make an image with 54 exposures from a

previous post 

From the following image i am trying to show where all the images go in the make up of the final image.

Hdr explained with multiple images

As you can see each section is made up of different exposures.

I used Photomatix Software to render these. I started with the lower center section, as this is the main focal point.

I made a note of all the settings i used on this section and rendered all the other sections the same.

If you fail to render each section the same, you will have some very unrealistic looks and will make blending to the final image extremely tricky.

Once you have 6 nicely rendered HDR images, i opened these into Photoshop and blended together to create the large image.

One massive point to remember when taking an image like this, is to overlap each image to make the blending process easier, and so you know that you have not missed anything.

You can always cut to much extra away but not add any missing data that you didn't shoot.

I hope that this makes sense,

as always feel free to ask any questions and comment.

 

Thanks Lee.

Adding Colour to your images with Photoshop.

Kelly moss Ramsden blue head scarf cropped

Hello, 

Here are a couple of images taken 2 weeks ago. 

Its been awhile since i last worked with beauty editing, and so fancied having a play. 

I've missed playing on images like these, smoothing skin, enhancing colours, changing background lighting effects etc etc. 

But in todays post i wanted to show you how to add some colour to YOUR images, 

in a simple couple of clicks in Photoshop. 

Im using Photoshop CS5, but this technique certainly works in older versions and Pshop elements. 

kelly head scarf in colour
Kelly Ramsden Blue head scarf

Open your image that you are wanting to colour into Photoshop. 

Next add an adjustment layer of Hue/Saturation, as you can see in the following image. 

HDR image photoshop tutorial

In the Hue/Saturation adjustment dialogue box there is a tick box called colorize, 

Tick this box and move the Hue slider from left to right and see the colour change. 

You can play with the saturation and light/darkness sliders to adjust to the desired effect. 

HDR image colourize 2

Don't forget by doing this adjustment on a separate layer, you can also adjust the opacity if you feel it is too strong for what you are wanting rather then directly to the image. 

In the coloured image of Kelly above, i used this technique with a mask on the colorized layer to "paint in" more colour onto the lips, and another layer to change and enhance the colour of the eyes, to really make them pop. 

There are many ways of doing this technique but i find this way certainly the quickest and most straight forward.

Also by trying the "Blend Modes" on the coloured layer you will see lots of cool effects and different looks to play with.

I hope you enjoyed this post and i look forward to produce other Photoshop technique posts.

If you have any questions on this post, or other techniques that you would like to see,

Please feel free to comment,

Thanks

Lee