Nikon D800 61sec F14 ISO 100
Hi all and Happy New year.
Apologise for the tittle to this post, but i am climbing the walls to do a shoot and so headed out this afternoon. Not much going on but thought that was kind cool.
Sorry I'm no good at making flamboyant arty titles up like most, there seems to be more thought gone into the title then the image in a lot of cases.
I aim to head up to the lakes at the end of the week if i have not returned to Scotland for my day job.
Hope you are well.
Lee
Hi all,
Hope that you are all set and ready for the festive period about to kick in.
If not...... good luck.
Just a quick one today, thought id Share an image of a print i have recently had made for me by the guys over at
I decided on ordering a metal print, to really make this print shine. I am truly speechless, the quality is fantastic. The turn around from order to your front door is also really impressive.
I was never a fan of the metal prints, but maybe it is just i have never seen the right image displayed. A landscape or a high saturated image really shines and looks impressive, a blurred HDR picture from your iPhone of your dog or selective colour will not benefit being printed on metal, never.....
This is Loxley's largest metal print size, 60x40 inch. I sent them an image with a size of 30x20 and they managed to double the size perfectly.
This is not a cheap print though, but i feel it is worth every penny. You certainly pay for quality.
This photo of me stood with it does it no justice what so ever...
Something you really have to see in person!
I had made some framed prints for clients and am very impressed.
We will certainly be sticking with Loxley Colour now for all our professional prints.
Have a great festive holiday and hope to see you in the new year.
Lee
Recently i spent a week rebuilding a wind turbine. Interesting work scope seeing the guts of these great machines that line our landscapes.
Apologies for only having iPhone images.
A view of Lancashire from the top.
Big apologies for not having a post for some time now,
with work, the new house and the baby, my hands are pretty busy,
but i couldn't be happier.
I am planning a trip to the Brecon Beacons in the near future, which i am super excited about,
Here are some images i snapped on a recent rope access course. I was refreshing my IRATA Level 3's ticket and so was in for a weeks beasting!!
I can highly recommended the training over at
C&J training in Blackpool. The training centre comes under the Talon umbrella and John is a great trainer there.
It was an informative week. I understand a few of you are photographers. This post has no relevance to you?
But ask your self - How many times are you at work, and at height? up step ladders? on roofs? hanging out of a window? I know even you wedding photographers are guilty of this. This course is not for you, but take some time and look at the working at height guidelines. Hurting yourself is just not worth it. no work - no cash right?
Say your assistant takes a tumble, your insurance will turn their back if nothing is in place. Say good bye to your business, once you pay out the court fee's and the settlement.
Here is what the HSE say about it. Thanks for reading.
Over the Weekend Southport had an Air Show.
From over the water in Lytham we could see the planes.
Here are some images of the Red Arrows,
It doesn't matter how many times you watch them, i am always in awe.
There is some amazing talent needed to fly with pin point precision like they do.
Hello, here is a little tip which i have recently picked up and thought id share as it makes such a lovely difference.
When working on images of buildings here is how i now add contrast.
Rather then use contrast adjustment layer, i created two levels layers, one darker and one lighter - both with black layer masks.
Now take your time, and paint in, where the face of a building is lighter, make it lighter and the dark side darker. It takes a little time, but certainly gives your image much more depth and a 3D feel to them.
This image has the effect turned off.
The extra layer you can see is a contrast adjustment layer to the lighter layer.
Here is the final image with the contrast technique added.
Subtle but certainly makes a lot of difference to the image.
Here is an image of Canary Wharf.
This image came about after alot of scouting on google maps, and street view.
From the way the road intersects with the rail line i thought that it would be worth checking out.
If you take you time and plan where you want to be at sun rise certainly goes a long way.
Hope you are having a great weekend.
Lee
Here is an image i took one early morning of Battersea Power Station.
This image was made up of 3 exposures, one for the sky, building and the water.
I converted to mono in Nik Software silver efex pro 2, and again i processed three times, one for the sky, building and water.
I hope you like.
Take care
Lee
Here is an image i have taken in London on a cold 4am morning.
Westminster with Big ben clock face is an iconic view and a tourist hotspot, but at this hour not a sole around.
I hope that you enjoy and are having a great weekend.
Lee
With recently spending some time at the in-laws waiting for the baby to arrive, i have used the time to head out and about at sunrise
Above is an iPhone image of my location on the Thames.
Alarm call for 02:15hrs - and headed out, just a shame the weather did not really play ball, but thats landscape photography for you.
Below is the image created by the d-slr.
This is certainly a location ill revisit to try and capture an image of more what i had in my mind.
Thanks
Lee
15 minute exposure using Lee filters big stopper and circular polariser.
This morning I was patiently waiting for the sun to rise in a cool location.
Here was the view behind me.
10 points if you can guess where i am....
Hope you have a great day.
Lee
Hi,
Today is just a quick post, but wanted to try and show the importance of using a circular polarising filter. Here you can see from a shot of London from the View at the Shard, i had to shoot through a window.
This image you can see the reflections in the glass from inside of the building.
By using a polarising filter, it is not perfect, but seriously cuts out the reflections and so saves you much more time having to edit less.
Like always if you have any questions please feel free to post in the comments.
Hope that you enjoy the rest of your Sunday...
The above image would not have been able to been created so clean without a polarising filter.
Please feel free to share this post on your social media, giving credit to the photographer Lee Ramsden www.leeramsden.com
Thanks
Hi, hope your keeping well and have had a good weekend.
Here are some images from the previous London landscape image that i have posted.
I wanted to show the images used to create the final image.
I clamped the camera down to the handrail using the Manfrotto Magic arm and using a cable release i rattled a few bracketed frames.
I have included the metadata on each image, but other then converting to jpg, they are straight from the camera and in the order the camera took them and i added to Nik softwares HDR efex pro 2.
Here is the first base image. In face i quite like this exposure but i personally prefer having the extra range to play with.
And finally this is the out put from the software. As you can see it has little punch, no halos. or even much contrast going on. But the key is to get a nice base to start with, and then bring this into photoshop and make it your own.
I have tried many different HDR software on the market and not one will you be able to click process- done.
But i do think that this is a good thing, no 2 images will ever be processed the same and so this way it makes you take your time and make something unique and more realistic.
Here is the final image.
Thanks.
Lee
Photographing The Shard Viewing Gallery, London
The Shard is the tallest building in the United Kingdom, standing 309 metres above London Bridge at its tip. Designed by Renzo Piano and completed in 2012, it's become one of the most recognisable additions to the London skyline in a generation. The viewing gallery sits across floors 68 to 72, giving unobstructed 360-degree views across the city.
I visited specifically to shoot the transition from sunset to dark — the window when the city starts to light up while the sky still holds colour. Getting that timing right requires some planning. The booking system lets you choose your time slot, so I researched the sunset time in advance and booked accordingly. The weather cooperated, which after a prolonged cold spell felt like a result in itself....
Practical Photography Tips for the Shard Viewing Gallery
A few things that made a genuine difference on this visit:
Tripods are banned, as they are at most tourist viewing platforms. The workaround I used was a Manfrotto magic arm and super clamp, which attaches to the barrier rail and gives a completely stable platform for long exposures. Security observed me using it and raised no objection — it's discreet enough not to interfere with other visitors and doesn't technically break the no-tripod rule.
Shooting through glass always risks reflections. A circular polarising filter cuts through most of this.
I was using a Hoya 52mm Pro-1 Digital CPL, which handled the glass cleanly and brought out the contrast in the city lights below. Without it, the reflections from the interior lighting would have competed with the view on every shot.
The Nikon D700 was the body used here — one of the frames in this set was actually pulled from a timelapse sequence. I had changed the ISO to 3200 mid-session and forgotten to reset it, but the D700 handles high ISO well enough that the image was still usable. A lesson in checking your settings between sequences.
The Building Itself
From street level and from a distance, the Shard reads as a glass spike — almost impossibly thin against the sky. From inside the viewing gallery you get a different perspective on how it sits within London, with the Thames directly below and the city grid spreading out in every direction. Canary Wharf, St Paul's, the Tate Modern, and Tower Bridge are all visible simultaneously, which gives you a sense of the scale of the city that's hard to get anywhere else.
For more of my London and places photography, visit the Places gallery.
As followers of this blog will know i head over to Amsterdam at least twice a year,
It is such an amazing city, spilling out at the seams with art and design.
My favourite way to view this city has to be on the canals by boat. Im very lucky that my cousin and her fella have their own boat.
Grab some beers, head out and enjoy the diverse and interesting sites of Amsterdam!
With recently purchasing some
i wanted to get out and have a play.
My mate Phil and i, headed out to London, i wanted try a show movement of people, and rush hour in London is ideal as its full of hustle and bustle.
These images were shot at f16 with a 5 second shutter delay. Using ND filters they help you to achieve the long shutter speeds required for a shot like this.
I used a .09 ND filter for these images but i do also own the Lee 10 stop Big stopper. Which is an amazing filter used to achieve really really slow shutter speeds.
Many thanks
Lee
As a lot of you guys will know, i have just turned 30 yrs old.
While i was away offshore with work it dawned on me that since i have started shaving (from about the age of 6!) i have never gone longer then 4 days without being clean shaven. With spending a month away at work i decided that i would not shave.
Here are a couple of images of me playing around with some face hair.
Here is me going from a hairy creature to a clean suited individual.
Here are a few images recently taken from a trip offshore with my little GF1.
Its was over 40 degrees in heat and hanging from a rope out in Azerbaijan in the Caspian sea, on the BP Shah deniz Gas rig.
December i bought i brand new Volvo V50.
the previous car was a guzzler and so was fed up of paying through the nose to keep it on the road..... Que the volvo... and being an estate car its a true family work horse, loaded to the hilt with gear and getting away for weekends is fantastic.
Here are a few images of the car on a great rough location 50 metres from the house, plus some detail images.
These two images are a mock advert that i made.
Recently i attended a Flash lighting training course ran by the talented Brett Harkness.
I throughly enjoyed myself and walked away with a head full of gold and things to try out to my own images. Here is the
There are heaps of amazing courses to choose from, i can see where a lot of my future pay cheques are going.
Brett's bio -
"I have been a professional photographer in the uk now for over 10 years, previously working in the USA in Miami as a cruise ship photographer. In my eyes I am a photographer. I don't see it as a job, but who I am. I could be seen as the "go to" guy for all things people! I love to take photographs; whether it is a wedding, family shoot, commercial or travel assignment, fashion campaign or whilst teaching on one of our many courses."
I booked onto this course as i was blown away by Brett's images, if you want to be the best, then you learn from the best.
There are so many tutors out there at the moment, who are offering high-end wedding training, and they have never done a high-end wedding -
Where as Brett does day in- day out...
-The following images were taken on a course, Lighting positions, models, outfits, locations all chose by Brett and his team. -
